LED Lighting Systems

Here is how this works in practice. Our LED lighting inventories across Australia carry the full feature-grade kit: ARRI SkyPanel S60/S360 RGBW with DMX and CRMX control, ARRI Orbiter beam-shaping point sources, Litepanels Gemini 2x1 and 1x1, Astera Titan and Helios RGB+Mint tubes for in-frame practicals, Aputure Nova P600C and 1200D Pro for run-and-gun documentary, Quasar Science Crossfade and Rainbow tubes, and Creamsource Vortex 8 fixtures for high-output daylight.

Here is the short of it. Sydney rentals run through Panavision Australia, Lemac, and KitWest with deliveries to Disney Studios Australia and CBD location work. Melbourne crews pull from Cinevex and Lemac Melbourne for VCA/RMIT and commercial productions. Gold Coast inventories sit minutes from Village Roadshow Studios — the home base for Aquaman, Pirates Dead Men Tell No Tales, Elvis (Luhrmann 2022), and Furiosa (Miller 2024). Perth, Brisbane, and Adelaide pools cover regional features and SAFC/ScreenWest-backed shoots.

Here is the breakdown. Australia's LED ecosystem is technically mature thanks to the Disney Studios Sydney LED Volume (Thor Ragnarok, Thor Love and Thunder), the Village Roadshow virtual production stages on the Gold Coast, and Animal Logic's real-time VFX pipeline (Lego franchise) — all of which trained a generation of crew in DMX-Art-Net-sACN networking, CRMX wireless, and colour-accurate xyY/Duv calibration to match production LUTs.

Here is what that looks like on the ground. We set up ACMA wireless licensing for CRMX, Safe Work Australia electrical compliance (RCD distribution, qualified test-and-tag, isolation transformers for water work), Producer/PDV Offset paperwork through Screen Australia, MEAA crew agreements with reciprocal IATSE recognition, and Aboriginal Land Council protocols for any sacred-site exterior work where lighting infrastructure is restricted.