SCENE 01 / WIRELESS AUDIO SYSTEMS
Wireless Audio Systems
Professional wireless microphones and RF coordination for productions throughout Australia.
Here is how this works in practice. Wireless audio systems give cable-free transmission of microphone signals, intercom feeds, and tracking audio across production sets. We set up frequencies compliant with ACMA rules across Australian locations, from dense urban RF environments in Sydney's CBD to remote Outback shoots. Digital wireless technology delivers reliable, high-quality audio transmission that gives talent freedom of movement and sound departments flexibility in complex shooting environments.
Here is the short of it. We source wireless audio systems with the channel capacity and frequency planning your production demands across Australia. Our team handles range scanning compliant with ACMA range rules, system setup, and backup gear to make sure interference-free wireless audio performance across your shoot, no matter location complexity.
Capabilities
Complete Wireless Solutions
We provide professional wireless audio systems with full frequency coordination, ensuring reliable performance in any production environment.
01
Lavalier Systems
- DPA, Sanken, Countryman mics
- Concealment techniques
- Costume integration
- Sweat and movement management
- Multi-pack configurations
Invisible Audio
02
RF Management
- Frequency coordination
- Spectrum scanning
- Interference avoidance
- Multi-channel systems
- Licensed frequency access
Clean Spectrum
03
Transmitter Systems
- Lectrosonics, Wisycom, Sennheiser
- Bodypack and plug-on units
- Long-range operation
- Encrypted digital systems
- Backup redundancy
Reliable Signal
04
IFB & Comms
- Talent earpiece systems
- Director communication
- Multi-zone coverage
- Crew intercom integration
- Live broadcast feeds
Clear Comms
On Location
Wireless Audio and RF Coordination Under Australian ACMA Rules
Here is how this works in practice. Our wireless audio inventories across Australia run feature-grade RF: Lectrosonics SRc and SMQv, Wisycom MTP60 and MCR54 wideband transmitters and receivers, Sennheiser Digital 6000 and EW-DX, Audio Limited A10 systems, and Shure Axient Digital for high-density live-event coverage. Lavaliers run DPA 6060/4060/4061, Sanken COS-11, and Countryman B6 across the network.
IFB and talkback flow through Lectrosonics Duet, IFBlue, and Bolero intercom for studio multi-cam.
Here is the short of it. Sydney teams work Disney Studios Australia stages and CBD shoots, Gold Coast teams support Village Roadshow Studios global features (Aquaman, Pirates Dead Men Tell No Tales, Elvis 2022, Furiosa 2024), Melbourne crews cover VicScreen-backed features and the F1 Australian Grand Prix, and we set up high-density wireless for the Sydney Mardi Gras (Feb-Mar), Vivid Sydney (May-June, 3M+ visitors), the Melbourne Cup, the Australian Open (800K+ attendance), and AFL/NRL Grand Finals.
Here is the breakdown. Australia's wireless RF environment is set by ACMA (Australian Communications and Media Authority). This sets the frequency table for entertainment production — distinct from US, UK, EU, and NZ allocations, so visiting global crews must scan and re-coordinate each kit on arrival, and pre-event planning with TV networks and other production users is required during high-density windows.
Here is what that looks like on the ground. We hold today's ACMA Apparatus licences for all production RF kit and run pre-shoot range scans through Shure Wireless Workbench, Sennheiser WSM, and IAS Wireless Designer for clean planning. MEAA crew agreements give reciprocal IATSE/SAG-AFTRA recognition for global shoots. Aboriginal Land Council protocols apply at sacred-site shoots — Uluru-Kata Tjuta (UNESCO 1987), Kakadu (UNESCO 1981), Purnululu (UNESCO 2003).
FAQ
Wireless Equipment Inventory
What wireless systems do you provide?
Here is the breakdown. We give pro wireless systems from top manufacturers including Lectrosonics (Digital Hybrid, DSQD), Wisycom (MCR series), Sennheiser (Digital 6000, EW series), and Audio Ltd (A10). System selection depends on your production needs, budget, and operating environment.
How do you handle frequency coordination in Australia?
Here is what that looks like on the ground. We manage frequency planning according to Australian RF rules (ANFR). This has range scanning at your locations, planning with other shoots sharing venues, and making sure compliance with licensed frequency bands. We handle the tech complexity so your production stays legal and interference-free.
What lavalier microphones do you recommend?
We give premium lavaliers from DPA (4060, 4061, 6060), Sanken (COS-11), and Countryman (B6). Microphone selection depends on application—we recommend based on concealment needs, sound traits, and compatibility with wardrobe and talent.
Can you support large multi-channel productions?
Yes. We often support shoots needing 20, 30, or 40+ wireless channels. This has feature films, large-scale commercials, and live events. We give frequency planning, enough receivers, backup systems, and skilled operators to manage complex wireless deployments.
What about IFB and communication systems?
We give IFB (interruptible foldback) systems for talent earpieces, director communication, and live broadcast applications. This has Comtek, Lectrosonics IFB, and Shure PSM systems, set up with your production's wireless microphone frequencies.
Do wireless systems come with operators?
Wireless gear can be rented standalone or with skilled sound teams who handle all wireless management. For complex deployments, we recommend including operators who specialize in RF planning and talent wiring.
Related Services
Productions in Australia that need this often pair it with Boom Operators, Sound Recordist Teams, and Location Sound Services for full coverage. Most projects also draw on Wireless Microphone Systems and Wireless Systems.
On Set
Get Wireless Audio Systems
Tell us about your production's wireless requirements and we'll design the right system package.