Format Conversion & Encoding

Here is how this works in practice. Format conversion and encoding in Australia covers the full delivery matrix: AS-11 DPP-AU MXF for broadcast (ABC, SBS, Seven, Nine, Ten, Foxtel) under DVB-T2 free-to-air HD and DVB-S2 Foxtel satellite; IMF mezzanines for Stan, Binge, Kayo Sports, Netflix Australia, Amazon Prime AU, Apple TV+ AU, Disney+ AU, ABC iview, and SBS On Demand; DCP for cinema release through Hoyts, Event, Village, Palace, and Reading; and DPP UK profiles for BBC and Channel 4 on co-productions.

Here is the short of it. Encoders run at Cutting Edge Brisbane and Sydney, Range Films Sydney, Disney Studios Australia, and the network ingest hubs, with Telestream Vantage, Harmonic ProMedia, Adobe Media Encoder, FFmpeg, and AWS Elemental MediaConvert handling H.264, H.265 HEVC, JPEG 2000, ProRes, DNxHR, MPEG-2, AV1, and VP9 outputs. HDR conversion covers Dolby Vision (PQ), HDR10+, HLG, and SDR tone-map trims with verified DolbyVision XML metadata.

Loudness encoding hits EBU R128 at -23 LUFS integrated for AS-11 DPP-AU broadcast and -27 to -23 LKFS for streaming sites, with -1 to -2 dBTP true-peak ceilings per sites spec. Australian Type Board ratings ride alongside theatrical encodes.

Here is the breakdown. Cloud encoding scales on AWS Sydney (ap-southeast-2, online since 2012), AWS Melbourne (2023), Azure Australia East and Southeast, and Google Cloud Sydney and Melbourne — all governed under Privacy Act 1988 and the Notifiable Data Breaches scheme via OAIC. Australian Indigenous-language deliveries clear AIATSIS protocols. Diaspora-language encodes target Mandarin, Cantonese (1M+ speakers), Vietnamese, Korean, Italian, Greek, Hindi, Punjabi, and Arabic. Cross-border CDN distribution pushes encoded packages from Sydney and Melbourne edge nodes to LA, London, Singapore, and Tokyo.