SCENE 01 / CAMERA SUPPORT SYSTEMS
Camera Support Systems
Professional camera support equipment for your Australian production.
Camera support systems include tripods, fluid heads, sliders, jibs, dollies, and stabilization rigs that enable smooth, controlled camera movement. The right support equipment is critical for achieving the visual language a director and cinematographer envision for each scene.
We source camera support systems ranging from lightweight travel kits to heavy-duty studio dollies and crane systems. Our team coordinates with local grip and camera rental houses to ensure compatible, well-maintained support gear arrives on set tested and ready for your specific camera package.
Capabilities
Support Equipment
Complete camera support solutions from tripods to Technocranes.
Professional Support Solutions
Capabilities
Our Process
Shot Requirements
Understanding your camera movement needs, shot complexity, and location constraints.
Equipment Selection
Recommending optimal support equipment based on camera weight, lens selection, and shooting style.
Prep & Testing
Thorough preparation and testing of all equipment to ensure perfect operation.
Production Support
Technical support, operators, and backup equipment available throughout your shoot.
On Location
Tripods, Dollies, and Stabilization Across Australia
Here is how this works in practice. Camera support across Australian sets centres on O'Connor 2575D and Sachtler Video 25 II fluid heads for cinema bodies — Alexa 35, ALEXA LF, VENICE 2 — paired with Mitchell-base flat tops and Ronford F4 ball levellers. Cameraquip, Lemac, Panavision Australia, and ARRI Australia all stock matched head-and-stick combos cleared for the Disney Studios Australia and Village Roadshow Gold Coast dolly tracks.
Here is the short of it. Dolly work runs on Chapman / Leonard Hybrid IV, Hustler, and Super Peewee IV, with Fisher 10 and Fisher 11 reserved for the Sydney and Melbourne studio floors. Steadicam operators carry their own Pro 2, M-1, or Master Series rigs and connect to body-and-lens packages prepped at depot. Easyrig Vario 5 with Flowcine Serene arm covers documentary, news, and second-unit handheld across the entire country.
Here is the breakdown. Stabilized gimbal work runs DJI Ronin 2 and Freefly MoVI Pro / MoVI XL for cinema-weight payloads, with the Russian Arm cross-border via Filmworks LA when the build calls for car-to-car or run-and-gun chase coverage — same arm that ran Mad Max: Fury Road's vehicle photography under John Seale ASC and the Village Roadshow finishing block.
Here is what that looks like on the ground. Remote heads (Scorpio, Libra, Newton) ship through Cameraquip and Lemac for crane and techno work, with Movie Bird and Supertechno cranes ready from grip floors at Disney Studios Australia and Village Roadshow Gold Coast. Heritage features Matrix, Star Wars II + III, Aquaman, Thor: Ragnarok, Elvis, and Furiosa all ran the same O'Connor / Sachtler / Chapman dolly chain. Cross-border NZ specialty rigs ship from Shotover (Queenstown gyro-stabilized aerial systems) in three Qantas hours.
FAQ
Frequently Asked Questions
What tripod heads do you recommend?
For cinema cameras, we recommend O'Connor 2575 or Sachtler Video 25 for their smooth movement and reliability. For lighter setups, the Sachtler FSB series offers excellent performance. We match head capacity to your camera and lens package.
Can you provide dolly with track?
Yes, we supply complete dolly packages including dolly, track (straight and curved), and all necessary accessories. We offer various track systems to suit different floor conditions and shot requirements.
Do you provide operators with equipment?
Yes, we can provide experienced dolly grips, Steadicam operators, and crane technicians with the equipment. Having skilled operators ensures you get the most from specialized support equipment.
What about remote heads?
We offer remote heads including Scorpio and Mōvi Pro for crane and vehicle work. Remote heads enable precise camera control during complex movements where direct operation isn't possible.
Can you handle heavy camera packages?
Yes, our support systems accommodate cinema cameras from RED and ARRI with full accessories, cine lenses, and wireless follow focus. We ensure proper head and tripod capacity for your complete camera build.
What stabilization options are available?
We offer full Steadicam systems for traditional operator work, gimbal systems like Ronin and MōVI for electronic stabilization, and Easyrig support for handheld shooting comfort.
Related Services
Productions in Australia that need this often pair it with Camera Equipment Rental, Lens Filters, and Cinema Lens Kits for full coverage. Most projects also draw on Grip Equipment and Lighting Equipment Rental.
On Set
Need Camera Support?
Tell us about your shot requirements and we'll provide the right support equipment.