SCENE 01 / LENS KITS
Cinema Lens Kits
Professional cinema glass for your Australian production.
Here is how this works in practice. Lens kits bring together curated sets of prime or zoom lenses that cover the focal range a production needs. Pro cinema lenses give precise focus control, steady color rendering, and the optical traits that define a project's visual texture and depth.
Here is the short of it. We set up lens kit rentals matched to your cinematographer's preferences and your camera system's mount. Our team works with local rental houses to assemble complete lens packages, arranging prep time for testing and making sure backup options are ready if needed.
Capabilities
Lens Inventory
Premium cinema lenses from the world's leading manufacturers.
Professional Lens Solutions
Capabilities
Our Process
Project Discussion
Knowing your creative vision, camera format, and the look you want to achieve.
Lens Selection
Recommending lens packages based on your visual way, budget, and tech needs.
Prep & Testing
Complete lens prep including cleaning, testing, and matching with your camera system.
Production Support
Tech support, lens swaps, and extra glass ready across your shoot.
On Location
Cinema Lens Kits and Anamorphic Glass Across Australia
Cinema lens inventory in Australia covers the full range of today's large-format glass. Cooke S7/i and S8/i Full-Frame Plus primes sit on Cameraquip and Lemac floors in Sydney, Melbourne, and Brisbane. Zeiss Supreme Primes and Supreme Prime Radiance hold court for clean today's looks. ARRI Signature Primes and Signature Zooms ship from ARRI Australia in Sydney for LF and Mini LF builds.
Here is how this works in practice. Panavision Australia stocks its proprietary Panavision Primo, Primo 70, Sphero 65, and System 65 ranges for Millennium DXL2 and ALEXA 65 packages. Atlas Orion and Tribe7 Blackwing7 cover character primes. Anamorphic stock has ARRI Master Anamorphic, Cooke Anamorphic/i and SF, Panavision T-Series and G-Series, and Vantage Australia's Hawk C-Series, V-Series, V-Lite, and V-Plus from the Munich-built Vantage Film range. Angenieux Optimo 24-290, 28-340, and EZ-1 / EZ-2 zooms ship across all three eastern-seaboard depots. Leitz M 0.8 for stills-to-cinema hybrid builds.
Heritage shoots have shaped Australian lens choice. John Seale ASC ran ARRI Master Anamorphic on Mad Max: Fury Road's Village Roadshow Gold Coast finishing block. Bill Pope ASC carried Cooke Speed Panchros on Matrix at the old Fox Studios. David Tattersall BSC shot Star Wars II and III on Sony HDW-F900 with Panavision Primo Digital primes — the first major feature to use 24P HD cinema.
Here is the short of it. Mandy Walker ACS ASC selected Panavision Primo 70 for Elvis at Village Roadshow Gold Coast under her Best Picture Oscar nom. Don Burgess ASC ran Cooke S7/i FF Plus on Aquaman. Don McAlpine ACS ASC followed with Lost Kingdom. Vintage Cooke Speed Panchros rehoused by TLS UK ship cross-border in 14-hour direct Qantas freight via ATA carnet. Vantage Australia handles Hawk anamorphic distribution from its Munich-headquartered parent. NZ cross-border specialty stock arrives in three Qantas hours from Auckland Camera Hire and Panavision NZ.
FAQ
Frequently Asked Questions
What prime lens sets do you stock?
We carry full sets of Zeiss Master Primes, Supreme Primes, Cooke S4/i and S7/i, ARRI Signature Primes, and more. Sets mostly have focal lengths from 18mm to 135mm, with wider and longer options ready.
Do you have large format lenses?
Here is the breakdown. Yes, we stock full-frame lenses including ARRI Signature Primes, Cooke S7/i, and Zeiss Supreme Primes for cameras like the ARRI Alexa LF and Sony Venice. These lenses give the coverage needed for large format sensors.
What anamorphic options are available?
We give anamorphic lenses including ARRI Master Anamorphic, Cooke Anamorphic/i, and many vintage anamorphic options. Anamorphics give the distinctive widescreen look and flare traits many shoots desire.
Can you provide zoom lenses?
Yes, we stock cinema zooms from ARRI Alura, Fujinon Cabrio, Angenieux Optimo, and Cooke. Zooms are ready in both full-frame and Super 35 coverage for many applications.
Do you offer vintage lenses?
Yes, we have curated selections of vintage glass including rehoused Cooke Speed Panchros, vintage Zeiss, and other classic lenses that give unique character and softer rendering.
What lens accessories do you include?
Lens rentals have protective cases, front and rear caps, and lens data cables where applicable. We can also give follow focus systems, lens motors, and wireless lens control matched to your package.
Related Services
Productions in Australia that need this often pair it with Lens Filters, Camera Equipment Rental, and Camera Support Systems for full coverage. Most projects also draw on HMI & Tungsten Lights and Foley Recording Services.
On Set
Need Cinema Lenses?
Tell us about your project and we'll recommend the right glass.