
SCENE 01 / CAMERA EQUIPMENT RENTAL
Camera Equipment Rental
Professional cinema cameras, lenses, and support equipment for film and TV production in Australia.
Here is how this works in practice. Camera gear rental gives shoots with access to high-end cinema cameras, lenses, and accessories without the capital investment of ownership. Rental houses keep and service pro gear, making sure shoots receive calibrated, reliable gear ready for demanding shooting schedules.
Here is the short of it. We help camera gear rentals from vetted local suppliers, negotiating competitive rates and managing delivery logistics. Our team sets up prep days, cross-rentals, and gear returns so your camera department can focus fully on the creative work at hand.
Capabilities
Complete Camera Packages
We source and coordinate camera equipment from Australia's leading rental houses, providing complete packages tailored to your production's creative and technical needs.
01
Cinema Cameras
- ARRI Alexa 35 & Mini LF
- RED V-Raptor & Komodo
- Sony Venice 2 & FX9
- Blackmagic URSA systems
- Panavision DXL2
Premium Cameras
02
Lens Packages
- ARRI Signature Primes
- Cooke S7/i & Anamorphic
- Zeiss Supreme & Master
- Panavision primo lenses
- Specialty & vintage glass
Cinematic Glass
03
Camera Support
- ARRI Trinity & ABCmis
- DJI Ronin stabilizers
- O'Connor & Sachtler heads
- Dolly & track systems
- Remote head systems
Stable Shots
04
Accessories
- Wireless video systems
- Focus control units
- Matte boxes & filters
- Recording media
- Power solutions
Complete Kits
On Location
Cinema Camera Rental Houses Across Australia
Here is how this works in practice. Cinema camera rental in Australia centres on five vendors. Cameraquip operates the country's largest national footprint with floors in Sydney (Alexandria), Melbourne (Port Melbourne), Brisbane, and Perth. Lemac runs Sydney, Melbourne, and Brisbane depots with deep ARRI inventory.
Here is the short of it. Panavision Australia — the Australian arm of the global Panavision business — operates Sydney and Melbourne floors with DXL2, Millennium DXL, and the full Panavision Primo, Primo 70, Sphero 65, T-Series anamorphic, and System 65 lens libraries. ARRI Australia itself runs distribution and rental out of Sydney.
Here is the breakdown. Filmplus sits in Alexandria for boutique builds. Vantage Australia (Australian arm of Munich-based Vantage Film) holds the local Hawk anamorphic stock. Body inventory spans ARRI Alexa 35 / LF / Mini LF / ALEXA 65, Sony VENICE 2 / FX9 / FX3, RED V-Raptor + Komodo, and the Auckland-engineered Blackmagic URSA range. Phantom Flex 4K high-speed bodies cross-border in 14 Qantas hours from Vision Research distributors in LA.
Here is what that looks like on the ground. Heritage shoots on Australian camera floors have the Matrix trilogy (Bill Pope ASC, Sydney Fox Studios 1999-2003), Star Wars Episode II and III (David Tattersall BSC, 2002 and 2005), Mad Max: Fury Road (John Seale ASC, Village Roadshow Gold Coast finishing 2015, Oscar nom and six wins for the film), Aquaman and Aquaman and the Lost Kingdom (Don Burgess ASC and Don McAlpine ACS ASC, Village Roadshow), Thor: Ragnarok (Javier Aguirresarobe AEC, Sydney and Brisbane 2017), Elvis (Mandy Walker ACS ASC, Village Roadshow 2022, Best Picture Oscar nom), and Furiosa (Simon Duggan ACS, Village Roadshow 2024).
Here is how the picture comes together. ATA carnet clearance through DFAT and Australian Border Force handles cross-border arrivals — 14-hour Qantas LA-Sydney direct for US-built specialty bodies, three-hour Auckland flights for NZ shared cross-Tasman gear. Prep days run at Cameraquip and Lemac with calibrated charts and matched-sensor verification on each body before locations.
FAQ
Camera Rental Expertise
What camera systems are available in Australia?
Here is the breakdown. We source all major cinema camera systems including ARRI Alexa 35, Mini LF, and Alexa Mini. RED V-Raptor, Komodo, and Gemini. Sony Venice 2, FX9, and FX6. Blackmagic URSA series. And Panavision DXL2 and Millennium cameras. Specialty cameras for high-speed, underwater, and aerial also ready.
How far in advance should I book camera equipment?
Here is what that looks like on the ground. We recommend 2-4 weeks advance booking for standard packages and 4-6 weeks for specialized gear or during busy periods (May-September). However, we keep emergency availability and can often accommodate last-minute requests through our rental network.
Do you provide camera technicians with rentals?
Yes, we can arrange qualified camera technicians, DITs, and prep technicians to go with your rental. Services have on-set support, daily camera prep, data management, and troubleshooting across your production.
How do you handle equipment for international productions?
We set up all logistics for global shoots including ATA carnet processing, customs records, and delivery planning. Our team handles the forms so your gear clears smoothly into Australia.
What's included in camera prep?
Full camera prep has sensor cleaning, lens calibration, functionality testing of all parts, firmware updates, battery conditioning, and cable/connector verification. We give detailed reports and make sure everything is production-ready.
Can you source specialty or vintage lenses?
Yes, we source specialty glass including anamorphic lenses (Panavision, Cooke, ARRI), vintage rehoused lenses, and unique character glass. We work with specialty rental houses across Australia to find the specific look you're seeking.
Related Services
Productions in Australia that need this often pair it with Camera Support Systems, Cinema Lens Kits, and Lens Filters for full coverage. Most projects also draw on Grip Equipment and Audio Equipment Rental.
On Set
Need Camera Equipment?
Tell us about your production and we'll recommend the ideal camera package for your creative vision.