SCENE 01 / LIGHTING MODIFIERS
Lighting Modifiers
Professional light shaping tools for your Australian production.
Lighting modifiers shape, diffuse, and control the quality of light on set. Softboxes, scrims, gels, flags, and diffusion frames transform raw fixture output into the nuanced illumination that cinematographers need to create depth, mood, and natural-looking light in any scene.
We provide access to comprehensive lighting modifier packages including diffusion materials, color correction gels, and light-shaping tools. Our team sources these accessories from local suppliers and coordinates delivery alongside your lighting fixtures, ensuring your grip and electric departments have everything needed on set.
Capabilities
Modifier Inventory
Comprehensive selection of softboxes, diffusion, reflectors, and control tools.
Professional Light Shaping
Capabilities
Our Process
Lighting Assessment
Understanding your lighting approach, fixtures, and the look you want to achieve.
Modifier Selection
Recommending the right modifiers to shape and control your light effectively.
Prep & Organization
Preparing and organizing all modifiers in grip cases for efficient access on set.
Production Support
Additional modifiers and alternatives available throughout your shoot.
On Location
Lighting Modifiers and Light-Shaping Tools
Here is how this works in practice. Modifier inventory across Australian rental houses follows a tight industry-standard list: Chimera, DoPchoice (Snapbag, Snapgrid, Octa, Quasr), Matthews softboxes for older fixtures, plus the ARRI Skypanel S60-SB and S120-SB factory soft attachments. Diffusion frame stock spans 4x4 through 20x20 feet — Matthews Road Rags, Matthews Solids, Current Studio Gear butterflies, with Lee Filters 250, 251, 252, 216, and Rosco Tough Frost the standard diffusion materials.
Here is the short of it. Ultrabounce, Griffolyn (silver and gold), and Beadboard cover the reflector stack. Cameraquip, Lemac, Panavision Australia, Filmplus, and Light & Sound Industries Brisbane all stock matched grip-case kits so productions running from Sydney to Melbourne to Brisbane don't lose scene matching. Astera tube grids, DMG Lumiere snap grids, and Aputure Lantern soft-egg crates complete the LED-specific modifier set.
Here is the breakdown. Australian site-level conditions shape modifier choice in ways that matter. Saltwater coastal corrosion on Sydney Harbour, Bondi, and the Gold Coast eats unprotected hardware in days — marine-grade C-stand pins and rust-proof knuckles ship with every coastal kit. Outback Pilbara and Red Centre heat 45°C+ in summer demands flame-resistant black-side textile (Duvetyne 30 weight) that survives radiant tungsten heat near 5K and 10K Fresnels.
Here is what that looks like on the ground. Bushfire season Dec-Mar cuts hot tungsten work; we shift to LED-with-softbox builds during fire bans. Indigenous-protected sites — Uluru, Kakadu, sacred Anangu and Yolŋu country — need low-impact non-reflective black modifiers to avoid disturbing cultural landscapes. Heritage features including Mad Max: Fury Road (John Seale ASC), Elvis (Mandy Walker ACS ASC), Aquaman, Thor: Ragnarok, and Furiosa all ran wide Chimera and DoPchoice soft kits through Village Roadshow Gold Coast and Disney Studios Australia grip floors.
FAQ
Frequently Asked Questions
What softbox brands do you carry?
We stock softboxes from Chimera, DoPchoice, Snapbag, and others in sizes from small on-camera units to large 8x8 and beyond. DoPchoice Snapbags and Snapgrids are particularly popular for their speed of setup.
What sizes of diffusion frames do you have?
We carry frames from 4x4 feet through 20x20 feet in various configurations. Standard sizes include 4x4, 6x6, 8x8, 12x12, and 20x20. We stock multiple diffusion types for each size.
What diffusion materials are available?
We offer a full range including 1/4, 1/2, full, and double diffusion, plus grid cloths, muslin, and specialty materials. Each provides different softness and light transmission characteristics.
Do you provide reflectors and bounce?
Yes, we have shiny boards (mirrors), beadboards, foam core, Griffolyn, and specialty reflective materials. Bounce is essential for adding fill and redirecting light, especially on location.
What about flags and negative fill?
We carry complete flag sets including solids, cutters, and nets in all standard sizes. Black materials like duvetyn are available for negative fill, which is crucial for creating contrast.
Can you provide large overhead setups?
Yes, we supply complete butterfly and overhead systems including frames, textiles, and all necessary rigging. Large overheads are essential for soft ambient light on exteriors and large interior spaces.
Related Services
Productions in Australia that need this often pair it with HMI & Tungsten Lights and Lighting Equipment Rental for full coverage. Most projects also draw on Gaffer & Lighting Services and Cinema Lens Kits.
On Set
Need Lighting Modifiers?
Tell us about your lighting requirements and we'll build the right package.